![]() There are, too, rare showcases of vulnerability on this album. The production and guest appearances drive the single “Bitches Love Me,” while Wayne coasts comfortably in the spaces between. The melodic delivery and inflection in Wayne’s voice transform the mediocre writing on “Curtains” into menacing braggadocio. Much of what is enjoyable on this album has nothing to do with his lyrics. Rapping is something he just happens to do, and there is no impetus for him to do it especially well. ![]() At this point in his career though, Lil Wayne seems to have no greater agenda. The next few years found Wayne experimenting with song structures, finding new inspiration in singing and even rock music to push the boundaries of what was acceptable in pop music. With his incredible music run in the second half of the last decade, Lil Wayne fulfilled his personal quest to become one of rap’s greats. ![]() There’s the essential canon of Lil Wayne’s extensive discography, and then there’s I Am Not A Human Being II.
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